The concept of a long-distance relationship is not new in today’s world. Many people engage in long-distance relationships for work reasons and study needs.
Although this is common nowadays, is its interior as simple as we think? While human relationships and love relationships that we see live have many complex aspects, long-distance relationship is an equally challenging concepts. In this concept, a question that we should constantly ask is how much we need the person we love in life. Especially when the sea is so far away from us.
Alex and Sergey are young lovers living in Barcelona, Spain. They both lead very independent lives in Barcelona. Alex is a professional photographer and Sergey is a university lecturer. Alex gets an opportunity from his workplace to live in Los Angeles for a year for a professional purpose. This takes place during a period when Alex and Sergey were hoping to add a child to their lives.
Alex and Sergey are torn between different dreams in work life and personal life. But in the end, on the agreement of both, Alex leaves for America. Despite being 10,000 kilometers apart, Alex and Sergey get a chance to see each other through modern technology and talk often. But is that enough for their love relationship?
When two people first fall in love, the initial energy and love in the relationship is tested in the long run. If someone is essential to our life for a long time, both parties should have a reasonable contribution to maintain that relationship. This is an extremely valid point for the love that we always get to experience in life, as well as for the love that runs between two places in the world.
Let’s focus once again on an idea mentioned at the beginning. No matter where we go in life, how far do you want that partner to be in your life?. In addition to each other’s mismatches, emotional intimacy and physical intimacy are more or less affected by this. I also saw a mixture of these issues in the relationship between Alex and Sergey in the movie 10,000 KM.
In this movie, you can see only two characters. The film is mostly shot indoors. The choice of the domestic one alone is a unique one because it is in the domestic one that most of our emotions and emotional expressions truly come out. Here we can see how Alex and Sergey are completely stripped of their emotions. A continuous long shot of 23 minutes is included at the beginning of this film. Dagmar Weaver Madsen, who did the cinematography here, has handled this scene very well.
Natalia Tena as Alex and David Verdaguer as Sergey has managed to fulfill their roles. At the same time, director Carlos Marques Marcet has successfully handled this theme in the film without making it unnecessarily complicated.
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